Arndís Bergsdóttir is a PhD student at the University of Iceland. Contributing to a feminist museology, her project focuses on articulating an onto-epistemological approach to historical and heritage exhibitions with specific emphasis on an absence of women in museum narratives.Arndís has published in various Icelandic and international publications including NORA – Nordic Journal of Feminist and Gender Research and forthcoming book chapter in the Routledge publication Gender and Heritage. Concurrent with her PhD research Arndís is a part-time lecturer in Museum Studies at the University of Iceland. She is also an open position GEXcel scholar at Tema Genus at the University of Linköping.
Publications & Public presentations (Recordings)
Cyborgian entanglements: post-human feminism, diffraction and the science exhibition Bundled-up in Blue.
Bergsdóttir, A. (2017). Cyborgian entanglements: post-human feminism, diffraction and the science exhibition Bundled-up in Blue. Museum Management and Curatorship, 32(2), 108-122. https://www.tandfonline.com/doi/full/10.1080/09647775.2017.1284018
Bergsdóttir, A. (2016). Museums and Feminist Matters: Considerations of a Feminist Museology. Nora – Nordic Journal of Feminist and Gender Research, 24(2), 126-139. https://www.tandfonline.com/doi/full/10.1080/08038740.2016.1182945
Bergsdóttir, A. & Hafsteinsson, S.B. (2018). The fleshyness of absence: The matter of absence in a feminist museology. In W. Grahn & R.J. Wilson (Eds.).